DRAMA is the mirror of society. We the Indians, feel pleasure with no tresque to entertain ourselves after visualizing an entertaining drama. All the things of manner are dependent or preferable to each other with the world wide trends. Indian literature and literature also stable their existence to saw whatever they stands after compairing with the same. Indian drama, especially odia drama and theatre is one of them. We all know that, previous seventy decades of 19th century, a reformistic dramatist Jaganmohan Lal’s ‘Babaji’ not only gave new light to the society, but also he formulize a new path in odia drama. He lib odia drama from ancient dialogue less, stageless, actless folk element. That’s why Jaganmohan is the avant garde / reformist leader of odia drama and theatre. After sixty decades of 20th century a new term ‘Absurd’ was heard many times in odia drama and theatre in new way, called ‘udbhata’. So ‘What is ‘udbhata’?’ ‘How this term was come?’, ‘Does it really exist yet?’,, ‘If exist what is the considerate significance point of this new theory?’, ‘Does it acclaimed success or failure in odia drama?’ These are the basic questions arising on my mind after study this type of critic books and textual drama. In this study I want to clear that ‘Is western theatrical term ‘Absurd’ really exist in odia theatre? If exist what is today’s performa of absurd in odia drama?and what is the footing note of this term whether it is success or failure?
Absurd, Udbhata, Intellectual theatre, Out of harmony, Nonsense talk, Incongruence
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